时大彬紫砂壶
时大彬紫砂壶
Shi dabin purple sand kettle
重： 245g
Weight: 245 g
编号：YSWHPMFW-1080
Number: YSWHPMFW - 1080
紫砂壶始于宋，兴于明清，长久以来，紫砂壶在文人雅士的追捧把玩中，逐步形成“冶造型、文学、绘画、书法、篆刻于一体”的金石文化艺术风范。紫砂壶是反映时代风尚的产物，某个时代的品味，规范了它的造型及纹饰。纵观紫砂壶的历史演变，一般都表现为由粗趋精、由大趋小、由简趋繁，复又返璞归真从简行事，经历了古朴、华丽、淡雅的三个阶段。对于现代收藏家来说，精品紫砂壶可谓是收藏界的顶梁柱之一。
Zisha pot began in the song dynasty and flourished in the Ming and qing dynasties. For a long time, zisha pot has been popular among literati and refined people, and gradually formed the artistic style of "shaping, literature, painting, calligraphy and seal cutting in one". The purple sand pot is the product of reflecting the fashion of The Times. The taste of a certain era standardizes its modeling and decoration. Throughout the historical evolution of zisha pot, it is generally expressed by coarse tending to essence, by big tending to small, by simple tending to numerous, and by returning to simplicity again. It has experienced three stages of primitive simplicity, gorgeous, quietly elegant. For modern collectors, the fine purple clay pot is one of the pillars of the collecting world.
时大彬的紫砂壶，一脱尘俗，朴雅坚致，风格优雅悦目，流畅灵活。“壶家妙手称三大”之一的徐友泉晚年仍自叹“吾之精，终不及时（指时大彬）之粗也”。时大彬是紫砂艺术的一代宗匠，生平活动期在明代万历朝至清代顺治朝之间。他对紫砂陶的泥料配制、成型技法、造型设计与铭刻，都极有研究,确立了至今仍为紫砂业沿袭的用泥片和镶接那种凭空成型的高难度技术体系。
When the purple sand pot of big bin, one takes off the dust and vulgarity, piaoya jian zhi, style is elegant pleasing to the eye, fluent and agile. In his old age, xu youquan, one of the "three great masters of the pot family", still sighed, "my spirit is not timely (referring to the time of dabin) thick." Shi dabin is a generation of zisha art, life activities in the Ming dynasty wanli dynasty to the qing dynasty between shunzhi dynasty. He has done a lot of research on clay preparation, molding techniques, modeling design and inscriptions of purple sand pottery, and established a highly difficult technical system that is still followed by purple sand industry, that is, to use clay and insert to form out of thin air.
时大彬对于紫砂陶的泥料配制、成型技法、造型设计与铭刻，都极有研究,确立了至今仍为紫砂业沿袭的用泥片和镶接那种凭空成型的高难度技术体系。近年来，紫砂精品正成为艺术品拍卖市场的娇宠，行情连连看涨，素有最具收藏价值古董之称。更遑论名家大师作品，往往一壶难求，一壶千金时大彬作品虽多，但流传存世者极少。至清乾隆年间，时大彬的作品已视为稀世珍宝了。
Shi dabin has studied the clay preparation, molding techniques, modeling design and inscriptions of purple sand pottery, and established the highly difficult technical system of using clay and inlaying that is still followed by purple sand industry. In recent years, purple arenaceous high-quality goods is becoming the pamper of artwork auction market, market is bullish again and again, element has most collect value antique to say. Let alone master works, often difficult to find a pot, a pot of gold when the dabin works, but few spread. During the qianlong reign of the qing dynasty, shi dabin's works were regarded as rare treasures.
龚氏所藏文物，必有精致考究之包装，如此壶就有度身定做的瘿木囊匣，内衬精致的织锦包面，卧囊以柔软的丝绸填垫，制作精良，亦可作为单独的艺术品欣赏，收藏家对文物的爱惜之情表露无遗。囊匣内贴有先生手书的考证文字及鉴藏印章，不单说明此壶的珍贵，先生严谨审慎的个人收藏风格，也体现出他雅致的文人情怀和品味，同时也是他个人气质和修养的表露，所谓“雅玩”，当是如此，值得我等后辈学习。此“瞻丽斋”珍藏旧物早年流散制日本，如今重返故土，值得藏家珍视。
There must be exquisite packaging for the cultural relics hidden by gong family, so the pot has a custom-made gall casket with delicate brocade lining, and the lying bag is padded with soft silk, which is well made and can also be appreciated as a single artwork, showing the collectors' love for cultural relics. The textual research in calligraphy and the seal of appreciation and collection are pasted on the capsule, which not only indicates the preciousness of the pot, but also reflects the refined feelings and taste of the literati, as well as the expression of his personal temperament and accomplishment. The so-called "elegant play" is worth learning from the later generations. This "zhanli zhai" collect old thing early years is dispersive make Japan, return home now, be worth to collect a home to cherish.
