四条屏八仙瓷板画（珠山八友合作）
四条屏八仙瓷板画（珠山八友合作）
Four screens with eight immortals porcelain board painting (cooperation with eight friends in zhushan)
高:120cm
High:120cm
宽:136.5cm
Wide:136.5cm
画心高:74cm
Draw the heart high:74cm
画心宽:22cm
Painting otimista：22cm
此组四条屏瓷板画以八仙过海人物为主题，用笔用线用色遒劲，似传统线描法中的高古游丝描、铁线描一类。落款提拔朴拙、厚实、圆润，章法别致，有装饰味。八仙人物脸部刻画细腻，讲究明暗变化，有西画中的素描关系和光影变化，晕染手法独特，立体感强。且八仙人物画背景为描葱郁林木，野卉山花，染色墨黑，草绿、翠绿、深绿几个层次明显，笔法一丝不苟。此组八仙过海四条屏画作既能体现其个人作画风格，也使作品散发出浓郁的雅趣，十分令人赏心悦目。作品从有限的画面之中传递出无限的信息，在画意、画蕴、画境诸方面，都堪称佳品。
This group of four screen porcelain painting to the eight immortals across the sea figure as the theme, with the brush line with strong color, like the traditional line painting in the ancient gossamer, iron line painting. Sign promotion piao zhuo, thick, fruity, unique chapter, decorative taste. The eight immortals' faces are depicted delicately, and they pay attention to the changes of light and shade, including the sketch relation in western paintings and the changes of light and shadow. In addition, the background of the eight immortals' figure painting is to depict lush trees and wild grass flowers, which are dyed black, with obvious layers of grass green, emerald green and deep green. The brushwork is meticulous. This group of paintings with four screens of eight immortals crossing the sea can not only reflect their personal painting style, but also give off a strong refined taste, which is very pleasing to the eye. The works convey infinite information from the limited pictures, and are considered as excellent works in the aspects of painting meaning, painting implication and painting environment.
瓷板画的工艺历史悠久，最早可追溯到秦汉时期，到了明中叶真正意义上的瓷板画出现，清中期，随着清代瓷艺的迅猛发展，当时的瓷画艺人致力于把纸绢上的中国画移植到瓷器上，因此瓷板画受到了人们的青睐，成为重要的商品瓷。瓷板画越来越走向兴盛。嵌瓷屏风无论是围屏、插屏还是挂屏，都经常会见到上边镶嵌有装饰意味浓厚的瓷板画。品种非常多，有青花、青花釉里红、五彩、素三彩、斗彩、粉彩、墨彩、浅绛彩等等。绘画、纹饰内容涉及面也很广泛，包括人物、山水、花卉、虫鸟、翎毛、鱼藻、吉祥图案等，几乎无所不包。
Porcelain plate painting process has a long history, dating back to the qin and han dynasties, the Ming dynasty porcelain plate painting Ye Zhenzheng sense and, in the middle of the qing dynasty, with the rapid development of the qing dynasty CiYi porcelain paintings at that time people to put the paper on Chinese painting on silk transplanted into China, so a porcelain plate painting the favour of people, become the important commodity porcelain. Porcelain painting more and more prosperous. Porcelain inlaid screen whether it is a screen, insert screen or hanging screen, it is often seen above inlaid with decorative meaning of porcelain painting. Variety is very much, there are blue and white, blue glaze red, colorful, plain three colors, bucket color, powder color, ink color, light purple color and so on. Painting, decorative content is also very wide, including figures, landscape, flowers, insects, birds, feathers, fish algae, auspicious patterns, almost everything.
瓷板画，始于清朝末年，是中国特有的一种绘画艺术，具有浓郁的赣文化特点。瓷板画从图片的选择、艺术加工，绘制前的乳香油的炼制，颜料的调制、毛笔的处理至绘制的具体步骤和技法，都十分严谨、细致。据国家工艺美术大师冯杰介绍，瓷板画具有较显著的基本特征：既继承了中国传统绘画的精华，又兼容了中国陶瓷艺术的特点，它不但可以画出逼真的摄影、古典油画的效果，又能随心所欲地表现各种画、流派的艺术风格。
Porcelain painting, which began at the end of the qing dynasty, is a unique painting art in China, with strong characteristics of gan culture. From the selection of pictures, artistic processing, the refining of frankincense oil before painting, the mixing of pigments, the treatment of brush to the specific steps and techniques of painting, all are very rigorous and meticulous. According to feng jie, the national arts and crafts master, porcelain painting has obvious basic characteristics: it not only inherits the essence of traditional Chinese painting, but also integrates with the characteristics of Chinese ceramic art. It can not only paint lifelike effects of photography and classical oil painting, but also freely express the artistic styles of various paintings and schools.
明清两朝皇家重视景德镇陶瓷生产，集中全国的人才和物力，保征了皇家官窑景德镇陶瓷的质量，在 景德镇陶瓷的胎体精细、釉质润净、制作规整、品种多样，特别是颜色釉瓷的精细讲究，可以说达到了历史上前所未有的境地，促进了景德镇陶瓷艺术的发展。但是，由于官家的统治，又扼杀了景德镇陶瓷艺术家个性的张扬和发挥，成为了中国景德镇陶瓷艺术发展的桎梏。景德镇人杰地灵，人才辈出，随着清朝国力的衰败，皇家御窑厂的衰落，一批出类拔萃的优秀民间陶瓷艺术家异军突起，珠山八友就是其中技艺超群的代表人物。
Ming and qing dynasties royal attaches great importance to the jingdezhen ceramic production, focus on the talent and resources, keep impressing the royal kiln jingdezhen ceramic quality, fine in jingdezhen ceramic matrix, enamel embellish net, make neat, species diversity, especially the fine exquisite colored glaze porcelain, arguably reached unprecedented in history, to promote the development of jingdezhen ceramic art. However, due to the government's rule, it strangled the publicity and play of jingdezhen ceramic artists' individuality, and became the shackles of the development of jingdezhen ceramic art in China. With the decline of the qing dynasty's national strength and the decline of royal kiln factories, a group of outstanding folk ceramic artists suddenly emerged, among which eight friends of zhushan are representatives of outstanding skills.
“八友”分 别是：王琦、王大凡、汪野亭、邓碧珊、毕伯涛、何许人、程意亭、刘雨岑。珠山八友在继承我国优秀景德镇陶瓷传统的基础上，汲取民间景德镇陶瓷艺术的营养，以扬州八怪为典范，以海派艺术家为榜样，容纳西方陶瓷艺术风格和技法，用充溢的时代气息和满腔的爱国热情，投入瓷艺创作，冲破明清官窑的藩篱，像一股清泉，一泄而下，不可遏止。如王崎在瓷器上面人物，汲取了黄慎的写意手法，表现人物的衣纹和风姿，获得颇为奇妙的效果。王大凡不用玻璃白打底，直接将彩料涂到瓷胎上的落地彩技法至今影响着景德镇陶瓷艺人。邓碧珊是第一个在瓷板上描绘人物肖像的瓷画家。汪野亭在前人的基础上，以国画的泼墨法，在瓷器上绘山水，同样出现墨分五色的中国画效果，给景德镇陶瓷的山水作品注人了生机。刘雨岑凭借自己深厚的功底，创"水点"技法，在景德镇陶瓷粉彩艺术上产生了极大的影响，这种技术后来运用于烧制毛主席专用瓷，被誉为当代官窑。
"8 friends" cent is: wang qi, wang dafan, wang ye pavilion, deng bi shan, bi botao, he xuren, cheng yi pavilion, liu yucen. Bead mountain eight friends on the basis of inheriting the fine traditions of jingdezhen ceramics in our country, draw on folk of jingdezhen ceramic art nutrition, yangzhou eight eccentrics as example, following the example of Shanghai artists, accommodate western ceramic art styles and techniques, with the full flavor of The Times and full of patriotic enthusiasm, devotion CiYi creation, break through the barriers, Ming and qing guanyao like a fresh spring, a drain, is unstoppable. Such as wang qi figures in porcelain, drawing from huang shen's freehand technique, the performance of the character's clothing lines and charm, get quite a wonderful effect. Wang dafan does not use glass as the base, but directly applies the color material to the ceramic body. Deng bishan was the first porcelain painter to paint portraits on porcelain plates. Wang ye pavilion, on the basis of predecessors, USES the splash ink method of traditional Chinese painting to paint landscape on porcelain, and also appears the Chinese painting effect of ink divided into five colors, which infuses vitality into landscape works of jingdezhen ceramics. Liu yu-cen, with his profound skills and "water point" technique, has exerted a great influence on jingdezhen's ceramic pastel art. This technique was later applied to the production of chairman MAO's special porcelain, which is known as the contemporary official kiln.
南北派，作风不让东西邻。聊得此幅留鸿爪，只当吾侪自写真。"鲜明地表白了他们结社志在求变创新的宗旨。
On the basis of inheriting the traditional techniques of pastel, bayyou of zhushan tries to make a breakthrough in porcelain art and painting art. Wang dafan in his works "zhu shan ba you ya ji tu" on the poem said :" moral mutual faith has cause, zhu shan association chart new. Feather landscape plum and bamboo, flowers, fish, insects, animals and people. Painting only school south and north, style does not allow east and west neighbors. If we can make a big picture, we should only take it as our own." Clearly expressed the purpose of their association to seek change and innovation.
玻璃白填底色，直接将色料填绘在瓷胎上，再罩雪白、水绿之类料色，简化工艺，画意更浓。程意亭的花鸟设色，既有文人画清雅的一面，又有工笔重彩的艳丽，其填色工艺达到运用自如、驾轻就熟的程度。刘雨岑创立了"水点桃花"画法，用含有色料的水笔，依次点染在相应大小的"玻璃白"底色上，既有传统填色的粉润效果，又具有画意生动的韵味。他在自己的文章中还写道:"记得过去，我在瓷上表现桃花时，由于对料性掌握得不够，以玻璃白掺染洋红点出桃花，烧后成色发乌，后来经过反复试验，采取先以玻璃白作花，再在其上以洋红点出的办法，才得出国画桃花的效果来。由此可见，要用祖国最具有民族特色的国画来装饰最具有优良传统的瓷器，使它们结合在一起，成为我国民族文化中一朵永开不败的鲜花。作为陶瓷美术工作者，除了要对料性、对瓷画有丰富的经验和技巧之外，还必须熟谙国画用墨用色的技法。"珠山八友瓷画家的这些彩绘新工艺有的已成为一种技法，在粉彩中广为运用，有的已成为一种瓷画形式被后人继承。
Members of eight friends of zhushan continue to improve the painting process and explore new techniques of expression. For example, deng bishan drew lessons from Oriental painting techniques and painted fish algae with the delicacy of portraits. Wang qi's figure painting was based on qianlong's pastel and combined with his skills in early Chinese New Year painting porcelain figures, and also absorbed western painting methods. The figure's head was depicted delicately, and the light and shadow were varied, which was later known as the "leader of western painting". Wang ye pavilion mastered the green and blue pastel pigments, and showed originality in the use of these colors. Wang dafan developed the painting method of "landing pastel". He did not use glass white to fill the background color, but directly filled the color material on the porcelain, and then covered the material colors like white and water green, which simplified the process and made the painting more concentrated. Cheng yiting of the flowers and birds color, both literati painting elegant side, and the bright color of the meticulous brush, its color filling technology to use freely and skillfully. Liu yu-cen created the painting method of "peach blossom with water dots", which USES a pen containing colored material to dot and dye the corresponding "glass white" background color in turn. In his own article also wrote: "remember the past, when I was in porcelain peach blossom, due to material master enough, with white glass mixed dye magenta highlighted a peach blossom, burn after assaying the crocking, later after repeated experiments, take with glass white flowers first, then to magenta points on its way, to develop the traditional Chinese painting the effect of the peach blossom. Thus it can be seen that the most traditional Chinese paintings with national characteristics should be used to decorate the most fine traditional porcelain, so that they can be combined together and become a flower that never leaves undefeated in our national culture. As ceramic art workers, in addition to material, porcelain painting has rich experience and skills, but also must be familiar with the Chinese painting techniques of ink and color. Some of these new techniques have become a technique, widely used in pastel, and some have been inherited as a form of porcelain painting by later generations.
珠山八友以"画"为主的文人画追求取向。就目前所掌握的资料可寻其艺术轨迹，了解其个性面貌。
The works handed down from generation to generation by members of the eight friends of zhushan vary from generation to generation, but porcelain painting is a major part of your creative career. They like to express themselves on the surface or vessels close to the surface, which reflects the literati painting pursuit orientation of eight friends of pearl mountain. At present, we can find out his artistic track and understand his personality.
此藏品瓷器胎质细腻，造型完美，瓷板平整，厚薄均匀，品相完整，各人风格不同，但留在作品上的文字都是纯熟流畅，挥洒自如，画面光泽亮丽，图文清晰，作品十分精细，山水秀逸，人物传神，花鸟富有生气，保存至今尤其珍贵，故收藏投资价值极高。
This collection TaiZhi porcelain is exquisite, modelling is perfect, porcelain plate smooth, uniform thickness, appearance, complete each style is different, but in the text on the works are polished smooth, aplomb, picture luster bright, clear images and, work is very fine, landscape message, characters vivid, birds and flowers, rich life especially rare surviving, so the high value for collection.
