古玩城2020精品推荐第八期：清晚牡丹花卉青丝纹盖罐?
中国的制瓷工艺发展至清代，在康熙、雍正、干隆三朝时期达到了历史最高水平，无论是斗彩、五彩、素三彩，还是珐琅彩、粉彩和釉下三彩，质量和数量都为前代不可比拟，当时的官窑瓷器代表了当时中国瓷器的最高水平。清代在瓷器烧制制作过程中，对于瓷器着色、绘画、烧制温度、拉坯等等工艺达到了瓷器的巅峰也是一个大的融合年代！
China's porcelain making technology developed to the Qing Dynasty, and reached the highest level in history during the Kangxi, Yongzheng and Ganlong dynasties. The quality and quantity of doucai, wucai, plain tricolor, enamel, famille rose and underglaze tricolor were incomparable in quality and quantity. At that time, the official porcelain represented the highest level of Chinese porcelain at that time. In the process of porcelain firing and making in Qing Dynasty, the porcelain coloring, painting, firing temperature, casting and other crafts reached the peak of porcelain, which was also a big integration era!
中国瓷器在世界久负盛名，作为清宫庭的又一烧创技艺，粉彩瓷更是拥有无可替代的地位与美丽，可谓价值与颜值起飞，是非常值得珍藏的瓷器品类。
Chinese porcelain has a long history of fame in the world. As another firing technique of the Qing court, famille rose porcelain has irreplaceable status and beauty. It can be said that the value and appearance take off, and it is a kind of porcelain worthy of collection.
粉彩瓷是康熙晚期受珐琅彩瓷影响和启发而出现的釉上彩瓷新品种，素有“始于康熙，精于雍正，盛于乾隆”之说，迄今已有300多年历史。其制作工艺是在烧成的白瓷上勾勒出纹饰图案的轮廓，在轮廓内先用含有氧化硅、氧化砷和氧化铅的“玻璃白”打底，然后按所需颜色在上面绘画渲染，再次入窑烘烧而成。所绘人物、花鸟、山水，浓淡相间，色彩丰富，画工细腻，富有立体感。因此粉彩瓷的纹饰比五彩瓷生动逼真。
Famille rose porcelain is a new kind of overglaze porcelain which was influenced and inspired by enamel color porcelain in the late Kangxi period. It has a history of more than 300 years. The production process is that the outline of decorative patterns is outlined on the fired white porcelain, in which the "glass white" containing silicon oxide, arsenic oxide and lead oxide is used as the base, and then painted and rendered according to the required color, and then baked in the kiln again. The figures, flowers and birds, mountains and waters are thick and light, rich in color, delicate and full of three-dimensional sense. Therefore, the decoration of famille rose porcelain is more vivid than that of multicolor porcelain.
粉彩瓷的装饰可以追溯到唐三彩，它是在烧好的白瓷器釉面上再施以彩绘。由于彩料中掺进了含砷的玻璃料，使色彩有粉质感而得名。康熙时的景德镇粉彩瓷处于初创时期，器型比较单一，仅见盘、水丞等，粉彩也只限于装点图案的局部，像花蕊等，风格简朴，着色粗糙。雍正粉彩瓷进入成熟时期，器型明显增多，除日常生活用品盘、碗外，常见杯、碟、罐、灯笼瓶、六角瓶、天球瓶、花觚、笔筒、提梁壶等。粉彩瓷多数是在经过精心挑选的细白瓷上进行彩绘，淡雅柔丽之感更为鲜明。雍正粉彩瓷采用了国画中花卉的没骨画法，所绘花鸟虫草浓淡相间，层次清晰，妖艳柔美，栩栩如生。其精者做到了“花有露珠，蝶有茸毛”的程度。装饰图案有花鸟、人物、山水等，尤以花卉最多，牡丹、月季、海棠等四季花卉很普遍。盘、碗之类采用“过墙”装饰，花纹外壁向上延伸，越过器物口沿延伸到器里构成一幅完整的面，构思巧妙而新颖。除白地粉彩外，还有色地粉彩，如珊瑚红地、酱地、淡绿地、墨地、木纹理开光等。
The decoration of famille rose porcelain can be traced back to the tri colored glazed pottery of Tang Dynasty. It is painted on the glaze of white porcelain. Because of the addition of arsenic containing glass frit in the color material, the color has a pink texture and is named. During the reign of Kangxi, Jingdezhen famille rose porcelain was in its infancy, and its shape was relatively single. Only the plate and Shuicheng were seen. The pastel was only limited to the parts of decorative patterns, such as stamens and so on. The style was simple and the color was rough. In addition to dishes and bowls for daily life, cups, dishes, jars, lantern bottles, hexagonal bottles, Tianqiu bottles, flower goblets, pen holders, and handle pots are common. Most famille rose porcelain is painted on the carefully selected fine white porcelain, which makes the feeling of elegant and beautiful more distinct. Yongzheng Famille Rose Porcelain adopts the boneless painting method of flowers in traditional Chinese painting. The flowers, birds and Cordyceps are mixed in thick and light, with clear layers, charming, soft and vivid. The essence of the "flowers have dew, butterflies have hair" degree. Decorative patterns include flowers and birds, figures, mountains and rivers, especially flowers, peony, rose, Begonia and other four seasons flowers are very common. Plates and bowls are decorated by "crossing the wall". The outer wall of the pattern extends upward and extends beyond the mouth of the utensil to form a complete surface. The design is ingenious and novel. In addition to white ground pastels, there are also color pastels, such as coral red ground, sauce ground, light green space, ink ground, wood grain and so on.
乾隆粉彩瓷进入鼎盛时期，在雍正粉彩瓷的基础上进一步发展，产量较大，造型更为丰富。除日常所用的碗、盘、杯、碟外，文房用具及各种陈设用瓷应有尽有，如笔筒、笔架、笔洗、印盒、壁瓶、香插、如意、转心瓶、转颈瓶、仿瓜果形的象生瓷等。装饰手法除白地粉彩和色地粉彩外，还有与釉下青花结合的青花粉彩。乾隆粉彩瓷豪华富丽，以色地为多，如红地、黄地、绿地、蓝地、豆青地等呈色各异，深浅不等，为创作五彩缤纷的粉彩瓷提供了基础。并常见在一件器物上集轧道、开光、镂空、堆雕、描金等多种装饰工艺。粉彩装饰风格是器身布满花纹，显得特别繁缛、华丽，人物、花卉、翎毛等均以名家绘画为蓝本，并糅合西方绘画技巧，画面有了深浅浓淡，立体感强。
Qianlong Famille Rose Porcelain entered its heyday, and further developed on the basis of Yongzheng famille rose porcelain, with a large output and rich shapes. In addition to the daily bowls, plates, cups and dishes, there are all kinds of porcelain for stationery and various furnishings, such as pen holder, pen holder, brush wash, printing box, wall bottle, incense stick, Ruyi, revolving heart bottle, revolving neck bottle, elephant like porcelain in the shape of melon and fruit. In addition to the white and colored pastels, there are also blue and white pastels combined with underglaze blue and white. Qianlong's famille rose porcelain is luxurious and gorgeous, with the colors of red, yellow, green, blue and bean green as the main color and depth, which provides the basis for the creation of colorful pastel porcelain. And common in a piece of artifacts set rolling, light, hollowing out, heap carving, gold painting and other decorative techniques. The decoration style of famille rose is that the body is covered with patterns, which is particularly complicated and gorgeous. Figures, flowers and feathers are based on famous painters' paintings and combined with Western painting techniques. The painting has a strong three-dimensional sense.
此件清晚牡丹花卉青丝纹盖罐 ，正宗家传瓷器盖罐，清晚民国牡丹红花青丝纹花卉盖罐，花卉图纹大方靓丽，字迹潇洒清晰诱人。匀净厚润。满饰牡丹花卉青丝纹，勾画细腻，缠枝婉转舒展，着色深浅有致，颇见柔美之姿。整体绘画细致工整，工艺精湛绝伦，构图圆硕。值得收藏。
This vase with blue silk pattern of peony flowers in the late Qing Dynasty, the authentic family porcelain jar, the peony red flower and blue silk pattern flower cover jar in the late Qing Dynasty and the Republic of China has elegant and beautiful flower patterns and clear and attractive handwriting. It is even, clean and thick. It is decorated with green silk patterns of peony flowers. The outline is delicate, the twigs are graceful and stretch, and the color is deep and light, which shows a soft and beautiful posture. The whole painting is meticulous and neat, with exquisite craftsmanship and round composition. It's worth collecting.
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